Preview of My New Novel

At the center of this novel is Harry Hartman, a writer living in New York who is approaching his seventieth birthday. Outwardly, he moves through the city with wit, courtesy, and routine, but inwardly he has lived for years with an absence: his fragile relationship with his daughter Hannah.

When the possibility of a reunion begins to emerge, Harry enters a period suspended between hope and tension. The novel tells of the small motions of waiting, of the defense mechanisms of a man who has learned to hide behind language, and of the question of whether closeness is still possible at all when too much time has passed.

New York is not merely a backdrop, but a living chamber of echoes made up of stairwells, street corners, post offices, cafés, and chance encounters—that everyday outer world against which Harry’s inner unease keeps breaking.

Here is a first short excerpt:

Harry Hartman set the book on the kitchen scale, waited for the number to settle, then immediately took it off again, as if the result had made a mistake. Then he placed it on the scale a second time. The scale showed the same number. It did not feel reassuring, only consistent.

The cover was dark blue, slightly scuffed at the bottom of the spine. It was neither his most successful book nor his most recent. More one of those books about which the literary pages had once printed phrases like finely crafted and quiet in its effect—formulations polite enough not to hurt and cautious enough not to promise anything.

Harry liked the book anyway.

He opened it. The inscription was already there in the front.

For Hannah
— H.

Nothing more.

No sentence explaining anything. No joke. No date. Just those two lines, which seemed either modest or too brief. Harry himself did not know exactly which would be worse.

He wrapped the book in brown paper, smoothed the edges flat, and wrote the address in his smaller, more dependable handwriting. When he was finished, the package looked neat. Not beautiful. Just as if it had been mailed by someone who took objects seriously.

In the stairwell he ran into Mrs. Alvarez from the second floor. She was standing in front of her door with a shopping bag on her arm and the kind of face that in the morning never pretended the day was a surprise.

“You’re heading out,” she said.

“That was the plan.”

She looked at the package. “A new book?”

“An old one. Just going somewhere else.”

Mrs. Alvarez nodded as though he had just described an entire genre. “I never understood books. You write one, and then you send it away.”

“That is basically the business model.”

She snorted through her nose, which with her counted as laughter.

“And where is this one going?”

Harry could have said: to my daughter. Instead, he said, “Boston.”

“Then it needs a scarf.”

“I’m hoping the paper will be enough.”

Down in the lobby, a new notice had been posted beside the mailboxes. Water Shutoff in the Building, it said in bold letters. Harry read only the first line and immediately felt a flicker of irritation. It was remarkable how quickly even the management of plumbing could seem insulting on a day when one was already mailing a book to one’s daughter.

Outside, the air was colder than it had looked from the window. Harry walked toward the post office, past the deli where crates of oranges were being stacked into a pyramid that held together only because no one said out loud how unstable it looked.

The post office was warm in a weary sort of way. Seven people were standing in line in front of the counter: a woman with returns, an older couple bent over a form, a man in a suit and sneakers who kept looking at his phone as though a milder version of his life were waiting there. Harry got in line and shifted the package a little higher under his arm.

When it was his turn, the woman at the counter said, “Good morning, Mr. Hartman.”

He set the package on the counter. “Then at least one of us knows who I am.”

She glanced up briefly, then at the package.

“Book rate?”

“Yes.”

She weighed the package, typed something in, and turned it slightly to read the address. When her eyes reached Hannah’s name, nothing in her face changed. Of course not. To a woman at the counter, a daughter was just a name in Boston.

“Anything fragile, liquid, or hazardous?”

Harry looked at the package.

“Only in content.”

This time she actually smiled, though small enough that it did not become personal.

She stuck the label onto the brown paper, named the price, handed him the receipt, and with one practiced motion pushed the book out into the world.

Outside the door, Harry stopped.

The air had changed in the meantime. Not colder, just clearer. He pulled the receipt from his coat pocket once more and looked at the tracking number. Branch. Time. Price. Everything was there that mattered to a system. Nothing that mattered to him.

As he walked on, his eyes fell on the empty space under his arm where the package had been only a moment before.

As long as the book had been with him, it had still been able to do something.

Now it was only in transit.

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